| Change log entry 71942 | |
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| Processed by: | richwarm (2021-03-28 04:21:52 UTC) |
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<< review queue entry 67758 - submitted by 'samsara' >> 内观（毗婆舍那，Vipassana）在印度巴利语中，意思是观察如其本然的实相。是印度最古老的禅修方法之一，在长久失传之后，两千五百多年前被释迦牟尼佛重新发现。 --------------------------- Editor: 到了印度，施素峰因為語言不通，便參加十五天的內觀靜坐。 "When she accompanied her daughter to India in 1992, Grandma Shih enrolled in a 15-day meditation session, since that wasn't going to require any knowledge of English." 出生於馬來西亞，6歲開始學鼓、10歲拜師習武的黃誌群，要求團員先學禪坐，內觀自己的問題，再習擊鼓、武術， "Huang was born in Malaysia. He began studying drumming at age six and martial arts at age ten. Huang required troupe members to first learn how to meditate and contemplate the self, and only then move on to the study of drumming and martial arts." 紀連成表示，為了維持放鬆，練功時必須時時「內觀」，一發現身上有僵緊的地方就要放掉，不要硬撐， "Ji Liancheng explains that maintaining a state of relaxation when practicing tai chi requires continuous self-observation. As soon as you discover that there is stiffness somewhere in the body, stop. Don't try to tough it out. " 謝幕後，即使觀眾的掌聲、劇評文字的讚譽，已肯定了林美虹，但她認為，創作者永遠需要內觀，專心默想，回到創作前最單純、原始地想表達的理念。「最嚴苛的評語，永遠發自創作者的心裡。」 Regardless of whether audiences and critics applaud her work, she believes that once the curtain falls an artist has to reflect in an effort to recapture the original concept he or she set out to express. "The artist is always his or her own harshest critic." 盧仝一生愛茶成癖，《七碗茶歌》是在描寫他喝了七碗茶後，茶湯飲進身體後漸進的體驗與感受。茶人趙崑秀研習茶道二十餘年，是主導多項重量級台灣國際藝術節的「明境藝術書院」之策展人，舉凡雄獅畫廊、誠品畫廊、太古踏舞團、當代傳奇劇場等國際藝術展演而巡演世界各地，或如花蓮國際石雕季、基隆國際藝術中元節、台北兒童藝術節、苗栗國際假面藝術節等縣市藝術活動之專業策辦。她以研究茶道為終生志業，以「內觀」為其茶文化起點，以「心靜茶自香」為道路，以「圓融平和」為溝通，以「美學藝術」作為出發，致力發展台灣茶文化，並推廣國際藝術交流。 Tea master Chao Kun-hsiu, who has studied the way of tea for more than 20 years, is the director of Peaceland Art Studio, which has held a number of major international art festivals in Taiwan. For Chao, tea is a vocation. For her, “inward contemplation” is the beginning, while the way is the idea that “tea only releases its perfume in a peaceful heart.” The culmination is “peace and harmony” in communication. With a commitment to “aesthetics and artistry,” Chao devotes herself to the development of Taiwanese tea culture while promoting international artistic exchange. 「五碗肌骨清，六碗通仙靈」，連續喝了第五碗、第六碗，身體的能量提高了，智慧也清明了，明白了愛的力量是有所本的，時空是連續傳承演化的，絕不是一代人斷絕後代生存空間的過程。所以在喝茶的過程中，要時時藉茶反省，藉茶練心、藉茶安定，在安定的力量中，內觀自己，並不斷地反覆練習，進而獲得幸福感。 “The fifth bowl purifies my flesh and bones. The sixth bowl is communion with the saints.” Drinking the fifth and sixth bowls in a row boosts the body’s energy and clears the mind, making you realize that the power of love has a source, and that one can train the mind and settle oneself down by drinking tea. Via inward contemplation, and continual, repeated training, one can attain a sense of joy. 楊英風的「景觀藝術」不同於西方的「地景藝術」，強調的是人與環境合一，「景觀景觀，景是外景，觀是內觀，創作者將外界實景轉為具體景觀意象，觀賞者藉此領悟創作者用心，參透作品實質意涵，以達心靈交融，」寬謙師父進一步闡釋父親的創作理念。 Yang's lifescapes (jingguan yishu) are quite different to Western landscape art (dijing yishu). They emphasize the unity of humanity with the environment. Elaborating further on the concept behind her father's work, Kuan-chien said, "The word for lifescape is jingguan, where jing signifies the outer manifestation and guan refers to inner perception. The creative artist transforms the form of the outer world into lifescape images; the art work becomes a vehicle for the viewer to understand the artist's intentions and thoroughly grasp the work's inherent message, leading to a merging of the artist and the viewers' hearts and minds." |
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# 內觀 内观 [nei4 guan1] /vipassana meditation/insight into the true nature of reality (buddhism)/ + 內觀 内观 [nei4 guan1] /to introspect/to examine oneself/(Buddhism) vipassana meditation (seeking insight into the true nature of reality)/ |