| Change log entry 65759 | |
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| Processed by: | richwarm (2018-06-26 09:57:16 UTC) |
| Comment: |
<< review queue entry 62261 - submitted by 'richwarm' >> 品与相都是琵琶上的音位装置，每个品的位置都须排粘的音很准。每个品与品之间，从上到下，由宽至狭排列非常均匀。尤其应看一下第十八品位的上端与弦身之间的距离宜在O．4至O．5公分；如距离超过O．6公分以上，在下把按音时会感到很累。为此，对弦身与第十八品上端之间的距离超过O．6公分的品，是属于制作上的弊病，应宜重新换做。 http://tieba.baidu.com/p/637163270 琵琶由六个相、二十四个品构成了音域宽广的十二平均律。 https://baike.baidu.com/item/%E7%90%B5%E7%90%B6/241259 In these two examples, 相 means "fret on the neck (of a pipa)" and 品 means "fret on the soundboard (of a pipa)". That's corroborated by the following references: 1) https://img.91ddcc.com/14416263805116.jpg This is a picture showing the frets of a pipa, the ones on the neck being labeled "相 ledge". The picture appears on this webpage: https://sns.91ddcc.com/t/78233 2) "the early instrument had 4 frets (相, xiāng) on the neck, but during the early Ming Dynasty extra bamboo frets (品, pǐn) were affixed onto the soundboard, increasing the number of frets to around 10 and therefore the range of the instrument." https://en.wikipedia.org/wiki/Pipa |
| Diff: |
- 相 相 [xiang1] /each other/one another/mutually/ + 相 相 [xiang1] /each other/one another/mutually/fret on the neck of a pipa 琵琶[pi2 pa5] (a fret on the soundboard is called a 品[pin3])/ |