| Change log entry 55624 | |
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| Processed by: | richwarm (2015-01-13 01:16:39 UTC) |
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<< review queue entry 53109 - submitted by 'ycandau' >> 1.指锣鼓等打击乐器敲击的声响和节奏。 Wp says 常用的節奏型稱為「鑼鼓點」。 京剧常用锣鼓点. 1、导板头：.... ======================================== Editor: 1) "Li had done some research on Chinese luogudian, the more than 100 identified percussive patterns used for the accompaniment of Beijing Opera." -- Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 1949 2) TP ~ 只見她食指向上，其它四指收起，這時武場掌板的音樂員 依著她的手勢奏起〈七字調〉的鑼鼓點，其他文邊音樂員也跟著演奏七字調，公主就順利的上場唱起七字調。 She raises her forefinger while keeping her other fingers curled, and at this signal the percussionists to one side of the stage strike up a rhythm on the gongs and drums, to which the other musicians add a melody in the "seven-character meter." The princess now comes on the stage singing to the same tune. 3) A STUDY OF THE RELATIONSHIP BETWEEN TRADITIONAL PEKING OPERA AND CONTEMPORARY WESTERN PERCUSSION MUSIC IN MU KUEI-YIN IN PERCUSSION BY CHIEN-HUI HUNG: There is only one reason and that is to disguise the cues and patterns of the Peking Opera gongs and drums (luogudian—鑼鼓點). Luogujing and Percussion in Peking Opera Music Luogujing—translated as guide to drum and gong beats, plays a significant role in Peking Opera performances. Luogujing is not merely a simple collection of percussion patterns that accompany the Peking Opera play, it also portrays emotions, accentuates rhythms, supports acting and enhances the dramatic atmosphere. Pan Xiafeng elaborates on the topic in The Stagecraft of Peking Opera: Gong beats with different tempos and rhythms are used to accompany the moving of the characters on stage at different paces and in different moods. Thus, there are such drum and gong beats as niusi (swinging silk), kuainusi (quick), manchangchui (slow), kuaichangchui, yaoban, changchui, shuidiya, and jijifeng…. In sum, there are some 50 to 60 different modes of drum and gong beats. And the same mode of beat may be used differently according to circumstances and may play different supporting roles. Here lies the remarkable ingenuity of the guide to drum and gong beats. Measures 36-64 No singing. Only acting. Uses five luogujings: measures 36-44 jiuzhuiban (九錘半), measures 45-50 yinluo (陰鑼), measures 50-55 chuanzi (串子), measures 56-60 shouchang (搜場), and measures 60-64 matui (馬腿). Luogudian The cues for Peking Opera gong and drum patterns |
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+ 鑼鼓點 锣鼓点 [luo2 gu3 dian3] /Chinese percussion fixed pattern/percussion rhythm/ |