| Change log entry 54710 | |
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| Processed by: | goldyn_chyld (2014-09-19 03:10:52 UTC) |
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<< review queue entry 52475 - submitted by 'richwarm' >> 拍冷門題材《小丑》時，老闆看試片，還沒看完就走人，邊走還邊罵：這種講舞台丑角的戲哪會賣錢？上片第一天，朱延平害怕電影沒人看，請全班同學去捧人場，沒想到戲院客滿。 After he had filmed The Clown, with its unfashionable subject matter, his boss attended the film's screening. The boss walked out before it had even finished, cursing as he left. "How could a movie about a clown possibly sell!" The first day it hit the theaters, Chu was afraid no one would go see it, so he asked all his classmates to go help fill up the seats. To his surprise, the theater was packed. 對於這齣戲是否傳達出魯迅的批判精神，貢敏覺得它熱鬧有餘，深刻不足，只把阿Ｑ寫成丑角，並沒有處理到內心深度，只用來取悅觀眾，而且是年輕不成熟的觀眾。 As for whether the play conveys Lu Xun's critical spirit, Kung Min feels that it's overly festive and not deep enough, turning Ah-Q into just a clown character, without handling his inner world to a deep enough degree. He holds that so using him only amuses the audience, and an immature audience at that. 《徐九經升官記》講的是特權作祟，清官難為，在兩岸演出時都很受歡迎；在藝術創新上，也塑造了一個丑角兼老生的生動形象。 Xu Jiujing Rises in the Ranks of Officialdom, which was about the difficulties of being an honest official in the face of entrenched special interests, was popular on both Taiwan and the mainland. It too broke some artistic conventions in creating a lively character that combined two traditional Peking opera roles: the old man and the clown. 對於久未演出的楊麗花而言，得在短短2小時半的節目中，拿出畢生功夫，迅速轉換年紀、性格、表現方式大不同的小生、老生及丑角， Though she hasn't performed for years, Yang will have to use all the skills she's acquired over a lifetime. In just two and half hours, she'll have to go through three different ages, personalities, and personal backgrounds. She'll play a young male character, an old male character, and a clown |
| Diff: |
# 丑角 丑角 [chou3 jue2] /clown/buffoon/ - 醜角 丑角 [chou3 jue2] /clown role in opera/fig. joker/clown/ + 丑角 丑角 [chou3 jue2] /clown role in opera/clown/buffoon/ |